My work Requiem for Oil has been selected for the Bath Open Art Prize Exhibition 2024. There are other pics of work in progress earlier in this blog.
Prize winners will be announced by judges Leonie Bradley and Karen Wallis on Friday 11th October, wish me luck!
The exhibition runs:
10th to 26th October
open 11am-5pm daily
at 44AD artspace, Bath BA1 1NN (this gallery is in the centre of Bath)
bathopenartprize.co.uk
fringeartsbath.co.uk
#BOAP2024
Thank you to organisers Fringe Arts Bath @fringeartsbath and the prize’s supporters for this opportunity: @Wessex_Area @thebellinnbath @studio44ad @minervaartshop
Poster artwork: Andrew Jenner, Sunday in the Park with George @the_dolliverer
Now and then the UK charity shops are just amazing. I was browsing them this rainy morning in Bristol and found, in one shop four huge cotton scarfs in plain colours for just £2 each. Another one was just demanding to be used for doll-making, plaits and braids ready-made. All in good condition, as new. Now I’m reluctant to cut them!
“A newspaper clipping glimpsed in a new documentary is headlined “New Mexico’s Infant Mortality Highest in U.S., Report Says.” Lois Lipman’s film explains why that rate is so high for babies, as well as for others, especially Indigenous and Hispanic inhabitants, in her gripping First We Bombed in New Mexico. Onscreen Tina Cordova, born and raised at Tularosa, only 30 miles from the Trinity Site, declares: “We are the first victims of the atomic bomb.””
The above is from Counterpunch+ behind a paywall, but the film First We Bombed in New Mexico is now released, to rave reviews, I hope it gets to the UK very soon. ’Thousands of New Mexicans – mostly Hispanic and Native American – were exposed to catastrophic levels of radioactive fallout, never warned, never acknowledged and never helped afterwards. Generations of cancers followed.‘
I’ve been working on several pieces in the series I’ve called Meltdown, this is the latest work very much in progress.
Work in progress – Core Melt, about 30cm sq. Embellished, quilted and stitched mixed textiles
I’ve been having a little fun finding names for the pieces instead of just Meltdown 1, 2, 3 &c. and I found, ‘No Risk to the Public’, mildly amusing. The International Atomic Energy ‘Authority’ – the trade body for the nuke industry – likes to claim that far more people have died from the evacuation and it’s subsequent effects at Fukushima than have been irradiated to death, almost as though this is proof that meltdowns are survivable. The fact that a mass evacuation might be necessary at all doesn’t seem to be an issue for them. No one ever needs to be evacuated from a solar or wind farm, biomass converter or a conventional fossil fuel power station. The corium – the many, many tons of melted fuel and containment structure are unlikely to be removed from the site before 2050, if then, because they are too ‘hot’ to handle, even for robots. Of course all that stuff will remain dangerous for thousands of years, there is no safe disposal at this time.
The number of deaths and serious illnesses from radiation released and still being released at Fukushima is disputed and could be many thousands. China, Korea and other states have banned fish from Japan.
The cleanup cost is now estimated at least $200 billion, likely far higher since every estimate so far has proven low – from one incident!
Perhaps it’s time to take up painting with paint, I feel the need to get the paint on thick and then flourish the pallet knife! But in the meantime scraps of shiny fabric, threads, the embellishing machine and my recently serviced sewing machine will have to do.
Cold Fusion 2/10 in progress, mixed textiles
The piece had quite a lot of metallic thread and shining cloth but this doesn’t show in the photo, also I have further embellished it which makes the surface matt, even fluffy. Quite a lot of the work here is cutting away, to create depth and reveals but this is contradicted by the action of machine stitching which pulls the layers of fabric tightly together. Some hand stitching now.
The Oil quilt consists of four panels made up of about 80 squares of 20 x 20 cm, printed, painted, drawn, embellished, stitched and embroidered in various ways. I’m finding it hard to finish, the desire to add more detail is strong but almost certainly misguided. Better to work on another piece I think.
Oil quilt, detail, approx 70 x 35 cm
This detail is from the upper left of the second panel, it feels topical. The quilt as a whole seems to be a polemic.
Oil quilt detail, approx 70 x 35 cm
This second detail is from same panel, lower right.
Most of this was complete months ago, just doing borders now. If the text seems topical, October 31st 2023, it’s because the people in charge in the west never stop bombing some poor brown folk somewhere in West Asia, Africa or Central America, or anywhere else they fancy.
This patchwork and machine embroidery quilt was made from a piece of patchwork originally destined to be dolls clothes, but I had so much that it had been put aside and forgotten. The quilting lines show in this picture but the metallic threads do not. There are a lot of shiny silver and blue metallics here and many of them and vaguly flower shaped.
The quilting lines are mainly broad curves, often inspired half or quarter moons or those slivers of the new moon.
Using Kind of Blue as a title feels very cheeky, but the Miles Davis masterpiece is often playing in my studio and the dreamy, sensuous curves of the music are always in my mind.
Moonflowers would reflect my hippy youth, back when work of this kind was unknown, or just consigned to ‘women’s work’ and ignored by the art world. Now there is a wealth of fabulous textile art, many examples may be found on the web.
I don’t make many art pieces but I was sorting through my fabric and came across this forgotten piece of work that I had put aside for some reason, possibly a left-over from a double-sided cape of some years back. It was patchwork blues, slightly embellished and overstitched, looked quite attractive so I thought why not quilt it.
I found a length of black cotton just the right size, then a layer of wadding and finally some thin cotton from a sheet. There is a lot of silver thread used in the embroidery and the quilting but it doesn’t show in this pic.
I’m using a free motion embroidery foot to quilt circles and flower patterns, takes practice but gives me a distinctive style.
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