I am having a clear up and out, and I came across these small pieces from a few years back when I was pursuing an MA in Multidisciplinary Printmaking at Bower Ashton in Bristol. I made them with the Fukushima fiasco in mind, knowing that would be a topical issue all my remaining life and beyond. Fukushima is in the news again as the authorities want to release a million tons of radioactive water into the sea, Uproar Over Japan’s Decision to Disperse Radioactive Fukushima Waste Water and the situation at the site remains dire. I made about ten, gave some away.

I’m thinking of re-framing them perhaps as a single piece, but undecided about the type of frame, a black painted board? These scanned images are fuzzy, the originals have a lot more detail.


抗議の行進 Kōgi no kōshin Demo

Just finished re-mounting this piece, which is for sale, £380.

Mixed Textiles & Steel, 108 x 43 cm, 2018


Welcome to Fukushima

This was my final piece for the MA Multi-Disciplinary Printmaking an it is currently half on display at the Royal West of England gallery as part of their annual open exhibition.  I say half because although I submitted it as a sculpture and wanted it shown in the whole it has been placed against a black curtain.  Still we do what we can and endure what we must.

The work references Japanese Boro coats, hand-me-downs that were patched repeatedly and passed on to succeeding generations.  In the later half of the 20thC they became collectable and examples can be found in museums and galleries, such as Sri, prices on application!  Interestingly the V & A gallery in London has a, ‘Make your own: Japanese ‘Boro’ bag‘ .pdf instruction.

There are many examples of Boro on pinterest, and some excellent information courtesy of Heddels.