I went to London recently for a few days, visiting the galleries. The outstanding expo was at the Barbican – Into The Night where you may, “Explore the history of cabarets, cafés and clubs in modern art across the world, from London to Paris, Mexico City, Tehran, and Ibadan”. A large show with lots …
I just came across this terrific printmaker, Gill Thompson working in collagraph and lino and mixed media. I might make the effort to travel to at Anlanntair in Stornoway for one of her classes.
I made this one back in April (2019), prints are available to buy, £25 each, unframed.
“The Bristol Cable is shaking up local journalism, reporting on the stories behind the headlines and putting Bristolians in charge of their media. No barons or hedge-funds, we are powered by over 2,000 members who all have a say and own an equal share in their media co-operative. This means we publish stories that …
I have been working on this collagraph print for the past week or two, learning the process as much as anything. CATO Press in east Bristol can handle quite large print plates, this one is about 55cm in diameter and is available to buy. I think the real thing looks a bit better than this …
Ready to print my first large collagraph at Cato Press, if my paper ever arrives from Lawrence Art Supplies (Brighton). Not their fault, just the delivery firm. The only place to buy a good range of print paper in Bristol is Bower Ashton art college (University of the West of England) but they are shut …
Having joined Cato Press, Bristol in April I have begun experimenting collagraph printmaking, both intaglio and relief. I began with an ambitious piece, a 50cm circle with a variety of shaped and textures, and a number of smaller studies for this piece. I wanted use text but cutting this by hand is tedious so I …
Just back from Cato Press where I was proofing a new collagraph. Not entirely successful so brought the plate back for some more work. Some of the lettering was insufficiently stuck down, moved around on the image.
