Collagraph

Ready to print my first large collagraph at Cato Press, if my paper ever arrives from Lawrence Art Supplies (Brighton).  Not their fault, just the delivery firm.  The only place to buy a good range of print paper in Bristol is Bower Ashton art college (University of the West of England) but they are shut for the summer.  I need a wider than average sheet for this relief print.

Athena’s Shield proof

Since making this proof I have altered the image quite a bit but  hopefully this will be the final effort.  Time to start work on the next one.  I feel at home with collagraph and I can work on the image without special equipment – just glue, knives, card and other thin material – in my studio at home.

Having spent a lot of time recently on my plywood toys and models – now on sale at Basically Wooden – I hope to give more attention to print making.

Welcome to Fukushima

This was my final piece for the MA Multi-Disciplinary Printmaking an it is currently half on display at the Royal West of England gallery as part of their annual open exhibition.  I say half because although I submitted it as a sculpture and wanted it shown in the whole it has been placed against a black curtain.  Still we do what we can and endure what we must.

The work references Japanese Boro coats, hand-me-downs that were patched repeatedly and passed on to succeeding generations.  In the later half of the 20thC they became collectable and examples can be found in museums and galleries, such as Sri, prices on application!  Interestingly the V & A gallery in London has a, ‘Make your own: Japanese ‘Boro’ bag‘ .pdf instruction.

There are many examples of Boro on pinterest, and some excellent information courtesy of Heddels.