Categories
art

抗議の行進 Kōgi no kōshin Demo

Just finished re-mounting this piece, which is for sale, £380.

抗議の行進
Demo
Mixed Textiles & Steel, 108 x 43 cm, 2018
Categories
Bristol

Bristol Harbourside part 4

Across the stylish Pero’s Bridge, having skirted the Watershed, a place I have eaten at frequently since it opened in 1980, but which charges excess for a simple château irregular, unfortunately. Food is good but not so much choice as before. Has ‘movies’ and is therefore unspeakably vulgar, which is a good thing. Popular and often crowded, but with many tables.

Long ago at the Watershed (the ’90s) dance music was played continually, from worn out and stretched cassette tapes (please explain to younger readers) and although I personally did not overly object many other diners opted to eat elsewhere, at that time. The staff still appear to be influenced by narcotics, on occasion, although that can be hard to discern from their general demeanour.

Pero’s bridge, being rather too narrow for the traffic offers the quiet traveller a chance to observe the pedestrians cheerfully interacting with energetic cyclists, the latter clearly late for some meaningless appointment; serious violence rarely ensues.  Or greet the beggars and buskers, many of whom are quite charming.  Some loose change may help.  Further along from the Watershed on Canon’ Marsh are outdoor cafe tables fronting several indistinguishable and quite large establishments.

I will turn briefly left to sample the street food available around the Fountains (formerly St Augustine’s Parade); falafel, crepes and much more on high days and holidays. Yummy and friendly. I was offered a swig from a can just the other day, whilst sitting on Neptune’s Steps waiting for the ferry home. Amazing what you can catch in Bristol.

Just opposite the Watershed floats Under The Stars, a converted boat, one of the better places and quite easy to run up a decent bill – although the menu prices are reasonable – which may have something to do with the delightful cocktails, and the 1920s theme. Good place to meet and eat as it is so central, and a little under-rated. Then along to the YHA cafe, which is the first to open in the morning and is friendly, has good coffee, and a wonderful selection of bemused tourists to provide entertainment if the scene at Pero’s Bridge has paled. The best site for people-watching, or people-chatting to. Sometimes hosts meetings in the evening.

It is possible to eat and drink in the Arnolfini – formally an art gallery until it lost it’s government grant by forgetting to ask for it – and it can be an enjoyable experience. Sometimes it is and sometimes it isn’t. Just nearby on the Prince Street bridge is the Crepe Coffee Cabin with a Big Issue pitch and some outside seats. Cheaper than the Arnolfini and with an ever unfolding drama of colliding passers-by, a few of whom cannot afford earphones, poor things. Various beggars, tourists, plank riders and other wheeled citizens enliven the melee. The Metro Bus now passes nearby, . I awaited the long delayed roll-out of the Metro Bus with excitement as it passes a few metres from my dwelling, where the bus shelter lights stayed on for many months before the launch, in joyful anticipation.

Across the road is El Puerto, good for tapas and more substantial Spanish fare. And close by the Arnolfini the Shakespeare, a pub for the homeward commuter.

Turning left after the swing bridge then crossing the Bathurst Basin footbridge brings the footsore pleasure seeker to The Ostrich Inn which seems to have fallen from favour somewhat, judging by the online reviews and comments. I can’t really say, having not eaten there for nearly a year and only had a snack, which took an age to arrive. One of the most attractive sites on the Harbourside so no excuses, it seems that the Cottage Inn syndrome may be spreading.

Strolling past the new apartments on the old General Hospital site one may find the Velindra, named for a steamer of old, which might be described as quirky. May or may not be open, as it appears to inhabit the same parallel dimension as the Myrtle Tree and is under new ownership as I write. Fine views of the Avon and Bedminster Bridge, across to the ASDA car park. Permanent traffic congestion (and one of the world’s smaller bus lanes at just 50 metres,) may reduce the air quality below the level which will sustain life, so carry oxygen. Said to be dog friendly, but the mutts are at floor level aren’t they, so hoovering up the carbon monoxide. The new flats next door start at around £260k, but only penthouses are still available new, at £825k upwards.

The Louisiana, just along to the west over the Commercial Road bridge, is one of the city’s best music venues, many famous names play here, so check out their web site (which has a list of past as well as upcoming acts) and visit.

We are now back on the mystery wrapped in an enigma (to many Bristolians) that is Spike Island, and we may drop in at the M Shed museum or a number of cafes. Pork eaters may enjoy the Pigsty, (I have only sampled the coffee, which was cool). Far more interesting is the famous Olive Shed which is lovely and lively, tucked behind a big red shed. Top food overall on the Harbourside, booking is necessary especially on the busier days, although weekdays lunch is usually ok. It has some outdoor tables. Opens at 11am.

Having enjoyed the best you may happen upon the inexplicably popular Brunel’s Buttery, a shed next to the water with some outdoor tables. The bacon butty is popular, my coffee was surprisingly cool and unpleasant, and so little of it. Staff stay cheerful in the face of relentless touristic optimism. Strictly for meat eaters with no discernible interest in food.

My culinary journey is entering the final phase, as I am now just a few hundred metres from home, among the more up-market flats, more up-market than mine at least. Next to the Great Britain – the ship – is the Greenshank, a floating cafe and catering service which is part of the Bristol Packet enterprise. Nautical, tourist, good, and often quite peaceful.

Heading inland – necessary to avoid falling in the dry and wet docks – one may happen upon The Orchard Inn and again find free music, jazz at least one night a week, and quite a lot of different ciders, some of them mildly alcoholic. It even has wine. Described as ‘unreconstructed’ by google, it will have snacks around lunchtime and early evening. Intimate. A chance to meet the locals and drink what they drink.

Coffee and culture may be got during the day by calling into the Spike Island arts complex on Cumberland Road, with the Vauxhall footbridge across the Avon opening new vistas to the south. On the M2 Metro Bus route.

Should you cross over the 200 year old New Cut, brave mortal, the spicy pleasures of the Coronation Curry House await. Bookings not required, very popular with the locals. The Avon Packet loiters nearby, described by CAMRA as fascinating, for reasons known only to real ale aficionados. It could be the collection of toy buses.

That completes my brief culinary tour of Harbourside west, I may venture further south to the spas of Southville, or east up the river at another time.

Categories
art

Art of the Monstrous: Burtynsky and the Anthropocene

This is an article by Michael Welton, mainly about a gallery show in Ottowa,  Anthropocene.  But it also looks at earlier work by Burtynsky, et al.  I just came across this trailer for the recently released film, Anthropocene: The Human Epoch.

coal mine #1, North Rhine, Westphalia, Germany, 2015
image by Edward Burtynsky

 

Categories
print

Hokusai and Hiroshige, Japanese prints

A visit to a terrific, free and very popular exhibition – closing soon – at Bristol Museum & Art Gallery, the first of three looking at woodblock printing in Japan.  This one is concerned with landscapes, the next on starts on January 12th and is focused on the city.

There is also an on-line exhibition for those who can’t get to the museum.

The museum also currently has a small but interesting display of African fabric, mainly made-up clothing.

 

Categories
Software

Affinity and beyond

I recently bought Affinity Photo, a graphics app that costs just £50 and will accept many Photoshop plug-ins.  As with most software this means a learning period during which novel combinations of swear words can be heard echoing from Miller Towers.  But thankfully this has been minimal with Affinity Photo, which is well designed, pretty intuitive, has all the tools and power I require and can do almost everything Photoshop does and some things better.  I’m a quite experienced user of this sort of software having been publishing stuff since the BBC Micro days of the 1980s, on several hardware platforms (including the beloved Amiga 500 and the 1200).  Affinity has emerged from the old Serif  (parent) company and seems to have a similar fair-price philosophy. 

 

So having tried it for a few weeks along with a freebie, the beta version of Affinity Publisher (a desk top publishing app) and been pretty pleased with the results I decided to dig into the usually hermetically sealed wallet and bought the third of the trilogy of apps, Affinity Designer.

Affinity Publisher beta, free for now

The motivation for all this is financial, to get away from the rapacious Adobe and their over-priced products.  Adobe have a near-monopoly in UK art schools and elsewhere, as well as with designers, photographers and artists, and a few years ago they began exploiting that to the max.  They did this with subscription pricing which forces customers to pay them forever, and pay them plenty.

Serif have spotted an opportunity and produced three fixed price products which will do everything most users want, for less than one years payment to Adobe!  Adobe are not the only ones at this racket, Microsoft exploit their monopoly with out any check even though other products, such as the free Open Office, perform just as well for most users.  But it seems that the big companies and their lure of cheap software – cheap for the school –  has got the educational institutions in a fierce grip somewhere below the waist.  Time that grip was broken.

Affinity Designer is a vector drawing app and seems to have some cross-over functions into the raster graphic area.  Like the other apps it is available for Windows, Mac and the iPad.  I have a Win10 Surface Pro which I use with as a tablet and docked as a desktop, so I will be testing these apps with a pen as well as mouse/keyboard.  Plenty of blurb on the Affinity site about Designer, but it is the things that are missing – there’s always something – which will be most revealing I expect.  I will write more fully when I have tried it out.

 

Categories
textiles

Welcome to Fukushima

This was my final piece for the MA Multi-Disciplinary Printmaking an it is currently half on display at the Royal West of England gallery as part of their annual open exhibition.  I say half because although I submitted it as a sculpture and wanted it shown in the whole it has been placed against a black curtain.  Still we do what we can and endure what we must.

The work references Japanese Boro coats, hand-me-downs that were patched repeatedly and passed on to succeeding generations.  In the later half of the 20thC they became collectable and examples can be found in museums and galleries, such as Sri, prices on application!  Interestingly the V & A gallery in London has a, ‘Make your own: Japanese ‘Boro’ bag‘ .pdf instruction.

There are many examples of Boro on pinterest, and some excellent information courtesy of Heddels.

 

Categories
quilt

Forever Young

Forever Young, Quilt, 1m x 80cm, mixed organic fibres and bamboo wadding, embroidery, embellishing and applique.

This quilt was completed earlier this year.  It is made from organic fabrics supplied by the Organic Textile Company who are based in Machynlleth and are partnered with Ganesh in Kerela, India.  I would like to buy all their fabric, I have to keep off their web site.