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art

OIL quilt, work in progress

This fabric work which I last posted about in June is based on the OIL poem I wrote in 2010 at the height of the USA ‘surge’ in Iraq, the poem in artist’s book form is here.

Although the bulk of the work is done there is still plenty to do and my progress through the summer has been slow – I have to wait for ideas and they don’t seem to come as often as they once did.

OIL quilt panel, one of four, work in progress

The imagery is ‘busy’ with lots going on, but I feel it could be busier still, and darker, more painterly. I’m still thinking about the border(s), those will take almost as much time as the panels and like all framing they will have a big impact on the final piece.

Linda and Laura Kemshall are well known artist quilters of the highest standard, their book, The Painted Quilt (2007) is one I refer to frequently, especially for printing advice and although my style and content is far from theirs I aspire to the standards they achieve.

I’ve also found their sketchbook ideas inspirational and highly practical, design is at the heart of what they do. My own sketches, scans, screen grabs, pics and notes tend to build into massive files on my Mac and eventually deleted but some get saved on paper or cloth.

Categories
art

Hare

Summer 2022 I stayed on a willow farm in Somerset and bought withies and other fibres with a view to doing some sculpture. My previous experience with this material is that the whole project can quickly grow beyond first ideas and this happened again. I expected a smaller and much simpler mask but when the basic structure was made it seemed to demand more intricacy and detail.

I worked on it off – one of several projects – and on through last Autumn and into Spring this year and this is the result. The hare is supposed to be outside in my little garden but I haven’t got round to that, it needs a little shelter from the elements. Part of my reason for making this was to amuse my grandchildren and encourage them in artistic endeavours.

Hare, 2023, Withies, grasses and other natural fibres and found objects, 220cm x 90cm Chris Miller
Hare, 2023, detail
Hare, 2023, detail
Categories
art

Fukushima

Fukushima is in the news again, as it will be periodically for the rest of your life and beyond. This time it’s for starting to dump toxic water into the Pacific, with partial blessing of the International Atomic Energy Agency (IAEA) who are trying to hedge their bets, or just lying through their teeth. And a Netflix drama series about the 2011 events.

Anyway I thought I might re-post the piece I made for my Masters degree.

Welcome to Fukushima – kimono front, fabric, printed and embellished, 2m x 2m, 2018.
Welcome to Fukushima – kimono rear, printed and embellished fabric, 2m x 2m, 2018

I have managed to lose most of the files, sketches, notes, images &c. I collected for the project and for the rest of the MA, probably when I moved home, twice.

My overall feeling about this piece is that I would like it to be darker and with bigger and bolder images, but at the time of making I was thinking of the confusion surrounding the 2011 events, and a recent visit to the COBRA museum, Amsterdam https://cobra-museum.nl/ where the anti-art movement of Copenhagen, Brussels and Amsterdam (post World War Two) is displayed.