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art

Night Garden in frame

The Night Garden fabric piece is now beautifully framed by Craftworks on Gloucester Road, Bristol and on sale at Artigo also on Gloucester Road.

Night Garden, approx. 50x50cm, mixed textiles embellished and stitched. 2025.
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art

Night Garden 1 (almost finished)

Night Garden, mixed textiles embellished and embroidered, about 50 x 50 cm

Almost finished, this piece has been hanging around for months waiting for some inspiration as to how to finish it. I tried adding a mouse but that didn’t work well. When in doubt, stitch, but now I’m afraid of wrecking what there is. The surface is rather fragile as it is mainly nunofelt with scraps of fabric below, all stitched and embellished.

One day later… I added a little more stitch, tried to reemphasise the cat but subtly then, deciding it was finished I added a backing. Next a gently wash then seal with very dilute pva. Then press and a frame of some sort.

Night Garden, approx. 50x50cm, mixed textiles embellished and stitched. 2025.
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art

Cracks in the System

One of the larger piece in the series I called City, but I’m not sure about the framing.

Cracks in the System, Mixed textiles embellished and embroidered, 32x32cm 2024

With the current framing £160 but I would be willing to consider alternative framing. I can supply more detailed photographs.

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textiles

Hare mask packaging

Having decided to try and sell separately the nine Hare Masks I made at the end of last year I found suitable but utilitarian cardboard boxes and have been dithering about how to dress them to make a more attractive appearance for eBay and for the purchaser when opening the box. Tissue paper, crumpled, some shredded?

The masks are meant primarily as decorative objects but can be worn, The straps are non-curl 6cm elastic. The inner surface is cotton and the main surface mixed textiles but mainly natural fabrics, some organic. I often source fabric from charity shops but it is hard to avoid acrylic and poly. Rayon (viscose) – made from wood pulp – is common in women’s clothes often with a useful shiny finish.

Hare (Green Man) Mask, about 43 x 30 cm, mixed textiles and wire frame.
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art

Fashion + Textile Museum London

Most years I manage an outing to the Fashion + Textile Museum in Bermondsey where the shows are always top notch. Nearby is the rather more famous White Cube Gallery, currently featuring  American artist Lynne Drexler (1928–99) and others, which makes for an enjoyable trip especially if followed by lunch at Borough Market.

At the moment the FA is showing’ Outlaws: Fashion Renegades of 80s London, “Centres around the legendary nightclub Taboo, opened by designer and performance artist Leigh Bowery in 1985”.

They host workshops and one coming up which caught my eye is by the wonderful textile artist Holly Searle aka The Subversive Stitcher.

“Working on vintage tea towels, Holly will take you through the processes of selection and customisation to help you effectively communicate your ideas. Using simple hand stitching and applique techniques, participants will add text to their designs as Holly speaks about her own design practice and her ongoing project, The Subverted Vintage Tea Towel Series.”

The Return Of The Repressed by Holly Searle
“Contemporary cotton tea towel featuring the work of the incredible artist Beryl Cook.”

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art

Owl Mask

A quite simple mask made with embellished fabric, two pieces and a strap of non-curl 2.5cm elastic.

Owl Mask, 20 x 12 cm, mixed fabrics

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art

Hare Masks

Although each of the nine masks didn’t take a great deal of time to make the finishing has required more effort than I anticipated, I could have reduced that by being a little more careful with the making. Notes have been made ready for the next project! Natural fabrics have been used throughout, some organic but some of the shiny stuff is polyester – it can be hard to avoid. The thread is almost all organic as I like the extra strength and quality, with some rayon and again a little poly.

Nine Hare Masks, each approx 42 x 30 cm, mixed fabrics & wire, 2024 C.Miller

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art

Eagle Owl Mask

The magnificent eagle owl survives in England in the north east apparently due to escapes or deliberate releases, possibly just migrating from mainland Europe now and then. I’m hoping to do more justice to this beautiful bird in the future but for now a few little masks of embellished textiles will have to do.

A few snaps of work in progress, for the ravenous, thoughtless AI machines to gobble up.

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art

Hare masks

Having finished seven hare masks I was pondering making other animals such as badger, hedgehog, deer, owl & c. perhaps using the designs from the Animal Masquerade set (artist’s book, house-coat and quilt) I made several years ago.

This quilt was a colour experiment, the design is digitally printed onto bamboo silk and still awaiting a border.

British Wildlife quilt, ink-jet printed bamboo fabric, bamboo wadding, 2017 (100cm x 140cm)

Here is Hare Mask no. 7 almost finished, with a few close-ups to show some texture.

Winter Hare Mask (1) 45 x 25 cm, mixed textiles

Many of the fabrics used for this mask are organic silk, cotton, linen swatches with some non-organic natural material and the threads are sometimes cotton, some rayon and almost inevitably some polyester for the silver.

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art

Requiem for Oil update

I’m amazed to say that I got the People’s Choice prize at the Bath Open Art show which finished on Saturday 26th October (2024).

At 44AD, Bath