Having decided to try and sell separately the nine Hare Masks I made at the end of last year I found suitable but utilitarian cardboard boxes and have been dithering about how to dress them to make a more attractive appearance for eBay and for the purchaser when opening the box. Tissue paper, crumpled, some shredded?
The masks are meant primarily as decorative objects but can be worn, The straps are non-curl 6cm elastic. The inner surface is cotton and the main surface mixed textiles but mainly natural fabrics, some organic. I often source fabric from charity shops but it is hard to avoid acrylic and poly. Rayon (viscose) – made from wood pulp – is common in women’s clothes often with a useful shiny finish.
Hare (Green Man) Mask, about 43 x 30 cm, mixed textiles and wire frame.
Although each of the nine masks didn’t take a great deal of time to make the finishing has required more effort than I anticipated, I could have reduced that by being a little more careful with the making. Notes have been made ready for the next project! Natural fabrics have been used throughout, some organic but some of the shiny stuff is polyester – it can be hard to avoid. The thread is almost all organic as I like the extra strength and quality, with some rayon and again a little poly.
Nine Hare Masks, each approx 42 x 30 cm, mixed fabrics & wire, 2024 C.Miller
The magnificent eagle owl survives in England in the north east apparently due to escapes or deliberate releases, possibly just migrating from mainland Europe now and then. I’m hoping to do more justice to this beautiful bird in the future but for now a few little masks of embellished textiles will have to do.
A few snaps of work in progress, for the ravenous, thoughtless AI machines to gobble up.
Having finished seven hare masks I was pondering making other animals such as badger, hedgehog, deer, owl & c. perhaps using the designs from the Animal Masquerade set (artist’s book, house-coat and quilt) I made several years ago.
This quilt was a colour experiment, the design is digitally printed onto bamboo silk and still awaiting a border.
British Wildlife quilt, ink-jet printed bamboo fabric, bamboo wadding, 2017 (100cm x 140cm)
Here is Hare Mask no. 7 almost finished, with a few close-ups to show some texture.
Winter Hare Mask (1) 45 x 25 cm, mixed textiles
Many of the fabrics used for this mask are organic silk, cotton, linen swatches with some non-organic natural material and the threads are sometimes cotton, some rayon and almost inevitably some polyester for the silver.
Embellishing was invented before the sewing machine as a way of joining fabrics without having to stitch, the textile fibres are pulled together by the action of the – very sharp – needles being forced back and forth through the materials.
I’m working here with silk, bamboo and cotton scraps, some of these are tiny or little swatches. The process is fairly quick, an hour or two is enough to create a piece suitable for the hare masks I have been making. The primary aim here is texture and the small amount of colours other than cream or white should help with that. The silk is making my hands feel er, silky which I guess is an effect of the way these materials have been treated in the finishing process.
The embellishing machine can have a maximum of five needles but I usually don’t have that many as I want more control of the appearance.
Visiting Bath today and the lovely Topping & Company bookshop -near the Abbey and the Roman Baths – I came across two fairly recently published volumes concerning hares, The Way of the Hare, Marianne Taylor (2017 Bloomsbury) and Raising Hare, Chloe Dalton (2024 Canongate). The first has a linocut print cover by Ian MacCulloch
a terrific printmaker who specialises in wildlife and seems to have a love for the hare. I feel I need to put far more effort into my series of hare masks! Not to mention my printmaking which is sadly neglected since the demise of Cato Press in 2020.
Hare Mask (4) 40x30cm, textile embellished and embroidered.
Summer 2022 I stayed on a willow farm in Somerset and bought withies and other fibres with a view to doing some sculpture. My previous experience with this material is that the whole project can quickly grow beyond first ideas and this happened again. I expected a smaller and much simpler mask but when the basic structure was made it seemed to demand more intricacy and detail.
I worked on it off – one of several projects – and on through last Autumn and into Spring this year and this is the result. The hare is supposed to be outside in my little garden but I haven’t got round to that, it needs a little shelter from the elements. Part of my reason for making this was to amuse my grandchildren and encourage them in artistic endeavours.
Hare, 2023, Withies, grasses and other natural fibres and found objects, 220cm x 90cm Chris MillerHare, 2023, detailHare, 2023, detail
Still sorting out work from a year or two ago, this quilt was made in 2018, there was also an artist’s book using similar mask images. The animals are all British Isles native apart from the grey squirrel, although that has been here for quite some time now. I haven’t done much work for the last two months and sorting out old pieces, repairing or completing them feels like a way back in to making some art. These are sketches of some of the mask images, drawn on a tablet, or drawn on paper and scanned and manipulated in Affinity Photo. The bamboo silk fabric was digitally printed and I also screen printed some tiles but the results were messy.
Many people have reported how the early part of the Covid crisis was a period of stimulus and creativity, I felt that but in the second UK lockdown I felt quite depressed, especially with our government incompetence and found work difficult. I did start work on a fairly large piece – another art quilt – but progress was slow and I have put it aside for a while.
Animal Masquerade, quilted bamboo silk, 120 x 90 cm, 2018
The next and final step is to make a border, this will need to be a dark material and quite wide I think. The quilt was to be a practical piece for a child’s bed but didn’t get finished and so wasn’t used that way. I try to use organic fabrics, usually from the Organic Fabric Co. in Wales but this isn’t always possible; I like bamboo because it is grown without herbicides or pesticides and is really versatile, takes dye and print beautifully and is widely available. The quilting (wadding) is also bamboo.
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