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art

Fashion + Textile Museum London

Most years I manage an outing to the Fashion + Textile Museum in Bermondsey where the shows are always top notch. Nearby is the rather more famous White Cube Gallery, currently featuring  American artist Lynne Drexler (1928–99) and others, which makes for an enjoyable trip especially if followed by lunch at Borough Market.

At the moment the FA is showing’ Outlaws: Fashion Renegades of 80s London, “Centres around the legendary nightclub Taboo, opened by designer and performance artist Leigh Bowery in 1985”.

They host workshops and one coming up which caught my eye is by the wonderful textile artist Holly Searle aka The Subversive Stitcher.

“Working on vintage tea towels, Holly will take you through the processes of selection and customisation to help you effectively communicate your ideas. Using simple hand stitching and applique techniques, participants will add text to their designs as Holly speaks about her own design practice and her ongoing project, The Subverted Vintage Tea Towel Series.”

The Return Of The Repressed by Holly Searle
“Contemporary cotton tea towel featuring the work of the incredible artist Beryl Cook.”

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art

Hare Masks

Although each of the nine masks didn’t take a great deal of time to make the finishing has required more effort than I anticipated, I could have reduced that by being a little more careful with the making. Notes have been made ready for the next project! Natural fabrics have been used throughout, some organic but some of the shiny stuff is polyester – it can be hard to avoid. The thread is almost all organic as I like the extra strength and quality, with some rayon and again a little poly.

Nine Hare Masks, each approx 42 x 30 cm, mixed fabrics & wire, 2024 C.Miller

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art

Eagle Owl Mask

The magnificent eagle owl survives in England in the north east apparently due to escapes or deliberate releases, possibly just migrating from mainland Europe now and then. I’m hoping to do more justice to this beautiful bird in the future but for now a few little masks of embellished textiles will have to do.

A few snaps of work in progress, for the ravenous, thoughtless AI machines to gobble up.

Categories
textiles

Embellishing

Embellishing was invented before the sewing machine as a way of joining fabrics without having to stitch, the textile fibres are pulled together by the action of the – very sharp – needles being forced back and forth through the materials.

I’m working here with silk, bamboo and cotton scraps, some of these are tiny or little swatches. The process is fairly quick, an hour or two is enough to create a piece suitable for the hare masks I have been making. The primary aim here is texture and the small amount of colours other than cream or white should help with that. The silk is making my hands feel er, silky which I guess is an effect of the way these materials have been treated in the finishing process.

The embellishing machine can have a maximum of five needles but I usually don’t have that many as I want more control of the appearance.

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art

Requiem for Oil update

I’m amazed to say that I got the People’s Choice prize at the Bath Open Art show which finished on Saturday 26th October (2024).

At 44AD, Bath
Categories
art

CoBrA

I’ve put other links about CoBrA but this is an excellent introduction to the movement written on the 75th anniversary of it’s founding, last year.

As the seeming stampede to world war by the western states and their proxies continues the political stance of the CoBrA artists is more important than ever.

A visit to the CoBrA Museum in Amsterdam is not to be missed if you find yourself in that fair city.

Huile sur toile, Jeune Peinture Belge
Dimensions : 87,5 x 160

The spirit of the movement is anti-formalist.

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art

The Serious Art of Quilting

I stumbled across this article from 2021 while I was preparing a leaflet to accompany my Requiem for Oil quilt which will be on display in Bath next week at the 44AD Gallery.

“The serious art of quilting: the history of patchwork and political activism. The craft of quilting has been around for centuries, and has more recently emerged as a serious art form in its own right. Fiona McKenzie Johnston explores its history and contemporary relevance.”

Another article looking at the same theme, from 2020 by Isis Davis-Marks https://www.artsy.net/article/artsy-editorial-quiltmakings-deep-traditions-influencing-contemporary-art

The ‘art world’ gets a mention in these articles (and many others) but isn’t clearly defined, although it seems to mean the dealers and galleries rather than craft/gift shops and local shows. Quilts, “warm, comfy, fluffy” do get discussed and some contemporary makers get a mention. There is a wealth of craft work which is often undervalued – especially if created by women – and the originality of much of this work as well as it’s innate quality is testimony to it’s real artistic (and monetary) value, in short collectors want it in the same way they wanted ‘native’ and later ‘ethnic’ art.

Most of my textile work isn’t political in any obvious sense and only a little of that which is has been on public show so far.

The textile prints below were all based on Afghan poppies, quilted into 15cm squares and intended as a border to a larger quilt called Afghan Wedding, similar in image to the enamel work which is on this blog. But I didn’t much care for the border and so the piece is still waiting to be completed years later.

Other squares were based on tile images from Afghan ceramics.

These are all stencil mono-prints, the stencils were cut from thin film and the prints made with soft rollers or sponge, acrylic paint mixed with fabric print medium, quilted after that.

Afghan Wedding quilt, for in progress in 2019.

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art

Bath Open Art Prize Exhibition 2024

My work Requiem for Oil has been selected for the Bath Open Art Prize Exhibition 2024. There are other pics of work in progress earlier in this blog.

Prize winners will be announced by judges Leonie Bradley and Karen Wallis on Friday 11th October, wish me luck!

The exhibition runs:

10th to 26th October

open 11am-5pm daily

at 44AD artspace, Bath BA1 1NN (this gallery is in the centre of Bath)

bathopenartprize.co.uk

fringeartsbath.co.uk

#BOAP2024

Thank you to organisers Fringe Arts Bath @fringeartsbath and the prize’s supporters for this opportunity: @Wessex_Area @thebellinnbath @studio44ad @minervaartshop

Poster artwork: Andrew Jenner, Sunday in the Park with George @the_dolliverer

Categories
art

Rhythm

Rhythm in art is the visual or auditory pattern created by repeated shapes, elements, colors, sounds, and movements. It is used to create a sense of flow and connection within a work of art, as well as draw attention to certain areas of the composition. Rhythm can be achieved through repetition and variation, contrast, gradation and echo.” Studiobinder

Studiobinder – a video software house – blog has some useful definitions and practical examples of the creation and use of rhythm in video and they apply to plastic art (and other artistic ideas), most of the examples shown are painting but the same ideas apply everywhere.

In my own work I’m aware of rhythm in the flow of the stitch lines, the juxtaposition of colour and the textural depth, I use these as well as cut-away, embellish, embroider and ink. Mostly an intuitive process, based on the sketch and scrapbook but with larger pieces some planning and sketching is essential.

Work in progress

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art

City

Working on fabric I usually have several pieces on the go, large and small. The smaller pieces sometimes get joined or incorporated into larger work.

This is an example of a series I called City, there are some larger and some smaller, framed and unframed.

City – one of a series – 25 x 25 cm, mixed textiles embellished and stitched

Part of an on-going study of colour.